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Simon bridgerton ator8/31/2023 ![]() Based on a series of uber-popular historical romance novels by Julia Quinn, who has been described as "our contemporary Jane Austen," Bridgerton is the flashy first outing in Shonda Rhimes’ eye-popping $150 million development deal with Netflix. Bridgerton, as Page describes it, is “funnier, faster, wittier, and unashamedly sexier” than its predecessors in the genre, which might explain why its decadent dances are scored to string arrangements of needle drops by Billie Eilish and Ariana Grande. Like so much else about the series, Bridgerton’s dance scenes are impeccably crafted, visually spectacular, as swoonworthy as they come-but with a saucy, modern twist. Kelly McCreary Reflects on Grey's Surprise Finish.Grey's Anatomy Has a Searing Healthcare Critique.How 'Grey's Anatomy' Is Bringing COVID-19 to TV.I think we learn the most about the characters on the dance floor.” Then suddenly, there's this place where you can't hide. They're not frivolous they’re the real heart and soul of the story, because everything else is a two-level dialogue where you say one thing and mean another. ![]() I think that's why dances are so central to these stories. “Once you start dancing, you get to be honest. “The dancing was a gift,” Page says, Zooming from his living room in late November. For performers like Page, scenes like this one unlock the true richness of the story. What remains are two spellbound dancers, emotionally naked as they came, illuminated for the first time in the radiant truth of their feelings for one another. Fans of the genre know the familiar beats by heart: in that single, remarkable dance, everything falls away-the glittering ballroom, the clamoring crowd, the peacocking revelers. With a global audience of millions expected to tune into Bridgerton, he couldn’t stand to get it wrong, this one incandescent scene that makes or breaks a period drama. That’s why he put in the grueling choreography rehearsals and stayed late to get the steps right, meeting up after hours with his costar, Phoebe Dynevor, to practice their elaborate dance routines, as their “unofficial soundtrack” of Beyoncé hits blared through the rehearsal room. ![]() When Regé-Jean Page started filming Netflix’s Bridgerton during the summer of 2019, he knew full well that, in every period drama worth its salt, sooner or later, it all comes down to one extraordinary dance. Clair, it would not be surprising if the actor were chosen to replace Regé-Jean Page as the Duke should a recast happen.Sweater and hoodie by Louis Vuitton. While Enoch is often fancast as other potential Bridgerton characters due to his previous work with Shonda Rhimes, such as It's In His Kiss's Gareth St. More recently, Alfred Enoch played Raych Foss in Foundation, the Apple TV+ series created by David Goyer based on the work of Isaac Asimov. Curiously, Regé-Jean Page was also in Harry Potter, more specifically, Harry Potter and the Deathly Hallows Part 1. The 34-year-old British-Brazilian actor had his first big role very young in Harry Potter and the Philosopher's Stone, in which he played Dean Thomas. On top of having starred in a Shonda Rhimes production, Alfred Enoch is also no strange for working on adaptions of famous book series. Enoch played Wes Gibbins, one of the main characters in the How To Get Away With Murder series, for six seasons, plus a small appearance as Wes's son Christopher Castillo. Another actor with suitable experience, Alfred Enoch worked with Shonda Rhimes, the veteran TV producer behind Bridgerton and several other popular shows, for six years in How To Get Away With Murder.
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